
One Image Generates 9 Different Shot Angles
Prompt
Prompt
<instruction> Analyze the entire composition of the input image. Identify all key subjects present (whether single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions. Generate a coherent 3x3 grid "Cinematic Contact Sheet" showing exactly these subjects in the same environment across 9 different shots. You must adapt standard cinematic shot types to fit the content (e.g., if it's a group, keep the group together; if it's an object, frame the entire object): Row 1 (Establishing Context): Extreme Long Shot (ELS): Subject appears small within vast environment. Long Shot (LS): Complete subject or group visible top to bottom (head to toe / wheels to roof). Medium Long Shot (American Shot/Three-Quarter): Framed from knees up (for people) or 3/4 view (for objects). Row 2 (Core Coverage): 4. Medium Shot (MS): Framed from waist up (or object's central core). Focus on interaction/action. 5. Medium Close-Up (MCU): Framed from chest up. Intimate framing of main subject. 6. Close-Up (CU): Tight framing on face or object's "front." Row 3 (Details & Angles): 7. Extreme Close-Up (ECU): Macro detail intensely focused on key features (eyes, hands, logo, texture). 8. Low Angle Shot (Worm's Eye): Looking up at subject from ground level (heroic/majestic feel). 9. High Angle Shot (Bird's Eye): Looking down at subject from above. Ensure strict consistency: Same person/object, same clothing, same lighting across all 9 panels. Depth of field should vary realistically (background bokeh in close-ups). </instruction> A professional 3x3 cinematic storyboard grid containing 9 panels. The grid showcases the specific subject/scene from the input image across comprehensive focal length range. Top row: Wide environmental shot, full view, 3/4 crop (knee-up shot). Middle row: Waist-up view, chest-up view, face/front close-up. Bottom row: Macro detail, low angle, high angle. All frames feature photorealistic textures, consistent cinematic color grading, and correct composition for the specific number of subjects or objects being analyzed.



