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One Image Generates 9 Different Shot Angles

One Image Generates 9 Different Shot Angles

Model:Nano Banana Pro
views:7
Prompt
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Analyze the entire composition of the input image. Identify all key subjects present (whether single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3x3 grid "Cinematic Contact Sheet" showing exactly these subjects in the same environment across 9 different shots.
You must adapt standard cinematic shot types to fit the content (e.g., if it's a group, keep the group together; if it's an object, frame the entire object):

Row 1 (Establishing Context):
Extreme Long Shot (ELS): Subject appears small within vast environment.
Long Shot (LS): Complete subject or group visible top to bottom (head to toe / wheels to roof).
Medium Long Shot (American Shot/Three-Quarter): Framed from knees up (for people) or 3/4 view (for objects).

Row 2 (Core Coverage):
4. Medium Shot (MS): Framed from waist up (or object's central core). Focus on interaction/action.
5. Medium Close-Up (MCU): Framed from chest up. Intimate framing of main subject.
6. Close-Up (CU): Tight framing on face or object's "front."

Row 3 (Details & Angles):
7. Extreme Close-Up (ECU): Macro detail intensely focused on key features (eyes, hands, logo, texture).
8. Low Angle Shot (Worm's Eye): Looking up at subject from ground level (heroic/majestic feel).
9. High Angle Shot (Bird's Eye): Looking down at subject from above.

Ensure strict consistency: Same person/object, same clothing, same lighting across all 9 panels. Depth of field should vary realistically (background bokeh in close-ups).
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A professional 3x3 cinematic storyboard grid containing 9 panels.
The grid showcases the specific subject/scene from the input image across comprehensive focal length range.
Top row: Wide environmental shot, full view, 3/4 crop (knee-up shot).
Middle row: Waist-up view, chest-up view, face/front close-up.
Bottom row: Macro detail, low angle, high angle.
All frames feature photorealistic textures, consistent cinematic color grading, and correct composition for the specific number of subjects or objects being analyzed.